Bicskei Zoltán - Szabados

György Szabados is a real polyhistor, his work is impossible to describe only from the point of view of jazz music, oriental philosophies or theater. Perhaps this is why it is the first book on the part of the profession to talk about his person and art in a (understanding) and accepting way, with a serious intellectual approach. After an undeservedly long silence (respect for rare exceptions), it is precisely studies from very different perspectives that show how difficult it is to begin to traverse this extraordinary oeuvre.
In connection with the scanning of the more than two thousand sheet music in the legacy, the analysis of the recordings and the concerts, a whole range of questions not only on music theory but also on philosophical, religious history and civilization bring the thinker to mind. His free music is not only interesting in itself; it makes the open, receptive man open to the theory of existence.
It is clear to us that the great oeuvre of the past is a remarkable depth and height of the freelance oeuvre of the past half a century.
The volume, edited by Zoltán Bicskei and featuring an international creative team, introduces the reader to the studies and memoirs of such excellent musicologists, writers and jazz musicians as Bert Noglik, Nemanja Sovtic, Gyula Kodolányi, Károly Binder or Máté Pozsár.