Writing, like all human expression, is an expression. Every movement, every projected, fixed line betrays the individual, but only the conclusion drawn from the entire written picture is reliable, because each movement, each line only gains true meaning in the context of the whole tangle of movements. Even the most unconscious spiritual endeavor can already be perceived as a movement, the physical movement is the last vibration of the spiritual movement that has only become visible, but the spiritual movement reaches its physical expression through complicated processes, and thus the inference from the visible sign of the physical movement, the line, to the spiritual movement in the rarest cases it is direct, in most cases it is indirect and complicated. The isolated explanation of some signs therefore has no meaning, and this method has long been outdated in the science of graphology. All modern graphology studies start from Klages' original insights, which can be simplified to two basic truths: 1. We must understand every spiritual process, every spiritual endeavor as a movement, a series of movements, which are the basic tendencies of external expression, and we can deduce the spiritual processes from the recorded image expressed in writing. 2. The doctrine of the form factor, that is, that signs have double or multiple meanings, as well as situational energy, and how we interpret them depends on the context, the whole written image.

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Technical books
170 pages
Binding: paperback
ISBN: 9786155144165
Author: Móric Bendetz
Year of publication: 2019