1. I am learning, trying the world, everything is brand new; 2. I follow what I have learned, a. s. (as it happens); 3. there are things that don't work out; 4. everyone expects me to be something; 5. I try to be like that; 6. succeed more or less; 7. yet I always go against the traffic; 8. I will see what I am like; 9. I am what I am; 10. I adapt the world to me

The history of development follows this line of thought. The writings and the visual stories are mostly about the fact that there is a plane of existence where those who have wings fly. They enjoy how beautiful it all is, how endless the possibilities are, how wide and free the sky is, how divine it is to fly. They also talk about how many things there are that want to tie you down, force you into rules, discourage you, cut off your wings.

I argue with those who have the ability and yet don't fly. Those who list the counterarguments that this uncertain ability is not safe, not normal, not usual, not moral. And how much is risked by those who dare to fly. Because there is always a risk in this, but I have experienced how much better life can be lived according to my own rules than being burdened by the laws of culture and society...

The world is just a mirror, it shows exactly who looks into it, ...everyone sees themselves in it. You know, Forrest Gump's mom's box of chocolates..., she takes out the ones she wants... I sprinkle the amazing, the exciting, the magical, the enviable, the breathtaking (I mean the flawlessly perfect) into her picture, get something else well, not just the shadow world smoldering from sinking...

The most inevitable part of growing up (I don't use the word aging directly) is that we can think about the rules and principles that we were given as unquestionable. And we can choose from them or make new ones...

"Adrien Petrik thanks you, he's doing really well. In his fifth and latest book, he invites us on an exciting, sensitive, engaging and irresistible journey through flavors and moods, landscapes and living beings (I write it like this on purpose, because for Adrien everything is important that lives, exists, exists), past between the present and the present, in which there is always a bit of the promise of the future. And why is this "well-being" shameless? Anyone who has read Adrien's previous works knows very well that he is a cheerful, diverse, full of life and full of curiosity creator, who, as a person, as a woman, and as an artist, is always interested in completeness, at the same time revealing and shy, full of loving self-forgetfulness; she is not ashamed to be good with herself, she is not ashamed to live, love, adventure, try new things. In this irregular genre book, she talks about where in the form of short stories, sometimes debates, sometimes travelogues, sometimes in the form of recipes: let us dare and be able to live. Don't be bound by false expectations, age groups, role requirements, long-overdue, yet suffocating influences like a prison. Let's find our own path that makes us whole and happy, and in the meantime, don't forget to smile at our life - cliché, but it will smile back at us." Nóra Sediánszky, dramaturg, writer, theater director

"He doesn't just talk about it, he really flies! He doesn't just say it, he's really shamelessly good... ...he lives everything, always. He couldn't do it any other way, some kind of spark of the Big Bang was trapped between his shoulder blades. He's incapable of shaping, he can't "feed" himself (no he wants it too), that makes his house a HOUSE, his garden a GARDEN, with which he adds bubbles to his soda, when he rests for a few moments before capitalizing on LIVING. His questions and answers are unashamedly precise, and he doesn't mince words. That's why I love him." Gábor Karalyos, vegan mountain dweller, artist, ceramic worker, writer, chef, blogger, influencer